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troublemag | November 24, 2017

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The Ocean After Nature

The Ocean After Nature

COVER MARCH 2017: Hyung S. Kim, 'Kim Julja, Dodu Jeju' 2013. Courtesy of the artist. ('The Ocean After Nature')

COVER MARCH 2017: Hyung S. Kim, Kim Julja, Dodu Jeju 2013. Courtesy of the artist. (The Ocean After Nature)
 

Angela TIATIA, ‘Holding on’ (still), 2015, single-channel High Definition digital video, colour, sound, 16:9, 12 mins. Courtesy the artist and Alcaston Gallery, Narrm Melbourne © Angela Tiatia/licensed by Viscopy. (‘Countercurrents’)


 

Ken + Julia YONETANI, ‘Sweet Barrier Reef’ 2009/17, sugar, vegetable gum, polystyrene foam, 8 x 3.6m. Courtesy the artists and Mizuma Art Gallery, Tokyo. (‘Countercurrents’)


 

James Tylor ‘Ika Wōka Waka Neke Nanu’ installation detail from ‘Te Moana Nui – Navigating time and space’ 2017, Daguerreotype, 4x5in. (‘Countercurrents’)


 

The Ocean After Nature & Countercurrents
Anne & Gordon Samstag Museum of Art, University of South Australia, 55 North Terrace, Adelaide (SA), 3 March – 9 June 2017
unisa.edu.au/samstagmuseum

Part of the 2017 The Adelaide Festival