Image Image Image Image Image Image Image Image Image Image

troublemag | November 20, 2019

Scroll to top

Top

No Comments

SALON: February 2015

SALON: February 2015 Gosia Wlodarczak, A Room Without A View 2013, an installation outcome of the17-day drawing performance at the RMIT Gallery, Melbourne, pigment marker on board, dimensions of the room: 260 x 340 x 220 cm. Photo: Longin Sarnecki. Courtesy the artist, RMIT Gallery and Fehily Contemporary, Melbourne. Gosia Wlodarczak: Found In Translation, TarraWarra Museum of Art Rew HANKS, We don’t have to 2002

 

COVER: James Welsby, dance star and go go king, flies in from New York for ‘Caravan Burlesque … Wilder West!’ returning to The Substation, 1 Market Street, Newport (VIC), 5 – 14 February 2015 - thesubstation.org.au/

COVER: James Welsby, dance star and go go king, flies in from New York for ‘Caravan Burlesque … Wilder West!’ returning to The Substation, 1 Market Street, Newport (VIC),
5 – 14 February 2015 – thesubstation.org.au/

Gosia Wlodarczak, A Room Without A View 2013, an installation outcome of the17-day drawing performance at the RMIT Gallery, Melbourne, pigment marker on board, dimensions of the room: 260 x 340 x 220 cm. Photo: Longin Sarnecki. Courtesy the artist, RMIT Gallery and Fehily Contemporary, Melbourne. Gosia Wlodarczak: Found In Translation, TarraWarra Museum of Art, 311 Healesville-Yarra Glen Road, Healesville (VIC), until 15 March 2015 - twma.com.au

Gosia Wlodarczak, A Room Without A View 2013, an installation outcome of the17-day drawing performance at the RMIT Gallery, Melbourne, pigment marker on board, dimensions of the room: 260 x 340 x 220 cm. Photo: Longin Sarnecki. Courtesy the artist, RMIT Gallery and Fehily Contemporary, Melbourne. Gosia Wlodarczak: Found In Translation, TarraWarra Museum of Art, 311 Healesville-Yarra Glen Road, Healesville (VIC), until 15 March 2015 – twma.com.au

Kristin McIver, Thought Piece (What’s Going On) 2012, neon, steel, concrete, motion sensors, vinyl, neurons, electrical impulses. Image courtesy of the artist and James Makin Gallery, Melbourne and Liverpool Street Gallery, Sydney. Synthetica is a BLINDSIDE and NETS Victoria touring exhibition that will travel around Australia in 2015-16. This project has been assisted by Arts Victoria through the Touring Victoria program. TOUR DATES: Wangaratta Art Gallery 7 February – 15 March, Swan Hill Regional Art Gallery 20 March – 3 May, Counihan Gallery 15 May – 7 June, Latrobe Regional Gallery 12 September – 15 November 2015, Wagga Wagga Art Gallery 16 January – 13 March 2016 - http://netsvictoria.org.au/

Kristin McIver, Thought Piece (What’s Going On) 2012, neon, steel, concrete, motion sensors, vinyl, neurons, electrical impulses. Image courtesy of the artist and James Makin Gallery, Melbourne and Liverpool Street Gallery, Sydney. Synthetica is a BLINDSIDE and NETS Victoria touring exhibition that will travel around Australia in 2015-16. This project has been assisted by Arts Victoria through the Touring Victoria program. TOUR DATES: Wangaratta Art Gallery 7 February – 15 March, Swan Hill Regional Art Gallery 20 March – 3 May, Counihan Gallery 15 May – 7 June, Latrobe Regional Gallery 12 September – 15 November 2015, Wagga Wagga Art Gallery 16 January – 13 March 2016 – http://netsvictoria.org.au/

Jonathan Crowther, Stretch Marks 2013, oil on canvas, 130cm x 130cm. Lethbridge Gallery, 136 Latrobe Terrace Bribane (QLD), 23 February – 7 March - brettlethbridge.com/

Jonathan Crowther, Stretch Marks 2013, oil on canvas, 130cm x 130cm. Lethbridge Gallery, 136 Latrobe Terrace Bribane (QLD), 23 February – 7 March – brettlethbridge.com/

Julie Rrap, Overstepping 2001, digital print. Museum of Contemporary Art, gift of Andrew and Cathy Cameron, 2008. Remain in Light: Photography from the MCA Collections, Exhibition organised and toured by the Museum of Contemporary Art, Sydney, Bendigo Art Gallery, View Street Bendigo (VIC), 21 February – 19 April 2015 - bendigoartgallery.com.au

Julie Rrap, Overstepping 2001, digital print. Museum of Contemporary Art, gift of Andrew and Cathy Cameron, 2008. Remain in Light: Photography from the MCA Collections, Exhibition organised and toured by the Museum of Contemporary Art, Sydney, Bendigo Art Gallery, View Street Bendigo (VIC), 21 February – 19 April 2015 – bendigoartgallery.com.au

Rew HANKS, We don’t have to 2002, linocut; artist’s proof. Collection: Geelong Gallery. Geelong print prize, 2003. ‘Permanent collection’, Geelong Gallery, Little Malop Street Geelong (VIC), until 5 July 2015 - geelonggallery.org.au

Rew HANKS, We don’t have to 2002, linocut; artist’s proof. Collection: Geelong Gallery. Geelong print prize, 2003. ‘Permanent collection’, Geelong Gallery, Little Malop Street Geelong (VIC), until 5 July 2015 – geelonggallery.org.au

Unknown photographer, David, Edward and Albert Hocking 1916, gelatin silver print. Collection Ted and Pat Hocking. Bendigo enlists: the First World War 1914–18, Post Office Gallery, View Street Bendigo (VIC), 11 December 2014 – 21 June 2015 - bendigoartgallery.com.au

Unknown photographer, David, Edward and Albert Hocking 1916, gelatin silver print. Collection Ted and Pat Hocking. Bendigo enlists: the First World War 1914–18, Post Office Gallery, View Street Bendigo (VIC), 11 December 2014 – 21 June 2015 – bendigoartgallery.com.au

 

Venue links

– /thesubstation.org.au
twma.com.au
netsvictoria.org.au
bendigoartgallery.com.au
geelonggallery.org.au
brettlethbridge.com

Submit a Comment

This site uses Akismet to reduce spam. Learn how your comment data is processed.