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troublemag | December 15, 2018

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SALON March 2018

SALON March 2018


COVER MARCH 2018: Elizabeth Gertsakis, A Farmer’s daughter saved from outrage, by a brave dog 2013, digital pigment on canvas. Reproduced courtesy of the artist and William Mora Galleries, Melbourne. Outrage, obscenity and madness — Elizabeth Gertsakis, Geelong Gallery, 55 Little Malop Street, Geelong (VIC), until 6 May 2018 – geelonggallery.org.au
 

Guy Maestri, Pointillist self-portrait 2018, oil on linen, 61.0 x 51.0 cm. Courtesy the artist and Jan Murphy Gallery, Brisbane. On Painting, by Guy Maestri, Jan Murphy Gallery, 486 Brunswick Street Fortitude Valley (QLD), 27 March – 27 April 2018 – janmurphygallery.com.au
 

Ag Art Wear – Creative Country Couture, Bendigo Living Arts Space, at the Bendigo Visitor Centre, 51-67 Pall Mall Bendigo (VIC), until 29 April 2018 – bendigotourism.com.au
 

Suzie Blake, Self Portrait with Maximiliano and Xavier ii 2017, digital inkjet print, 119cm x 84cm. What does Breastfeeding Look Like?: Suzie Blake, Swan Hill Regional Art Gallery, Horseshoe Bend, Swan Hill (VIC), until 18 March – gallery.swanhill.vic.gov.au
 

Wall to Wall Festival, Benalla (VIC), March Labour Day long weekend, 9-12 March 2018. Photo by Nicole Reed. Wall to Wall Festival is supported by Creative Victoria, Visit Victoria and Benalla Rural City Council – walltowallfestival.com
 

Grace Hogan, Four places, one face 2017, clay scratchboard, four parts: 71 x 56 cm each. Swan Christian College. Year 12 Perspectives, Art Gallery of Western Australia (AGWA), Perth Cultural Centre Perth (WA), 17 March – 16 July 2018 – artgallery.wa.gov.au
 

John Benavente, Renaissance Rose 2017, digitial print. National Photographic Portrait Prize 2017, toured by the National Portrait Gallery, Canberra. Devonport Regional Gallery, 45-47 Stewart Street Devonport (TAS), until 15 April 2018 – devonportgallery.com
 

Matthew Fairbridge, Squinch 2017, plaster, wood stone. Fine Young Things, Wangaratta Art Gallery, Gallery 1, 56 Ovens Street, Wangaratta (VIC), 9 February – 8 April 2018 – wangarattaartgallery.com.au
 

Tamara Dean, Elephant ear (Alocasia odora) in Autumn from the series In our nature, April 2017, Adelaide Botanic Garden, pure pigment print on cotton rag, 150 x 200 cm. Courtesy the artist and Martin Browne Contemporary, Sydney. 2018 Adelaide Biennial of Australian Art: Divided Worlds, Art Gallery of South Australia, North Terrace, Adelaide (SA), 3 March – 3 June 2018 – artgallery.sa.gov.au
 

Latai Taumoepeau, Repatriate, Performance Space – Liveworks Festival of Experimental Art 2015 (Sydney), Photo by Alex Davies. Image Courtesy of the artist. Latai Taumoepeau, Fremantle Arts Centre, 1 Finnerty Street, Fremantle (WA), until 23 March 2018 – fac.org.au
 
 
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