Ben Quilty
All We Can’t See
March 8, 2018 | troublemagIllustrating the Nauru Files
33 award-winning Australian artists, including four-time Archibald finalist Abdul Abdullah, Rockefeller and Churchill Fellowship recipient Janet Laurence, and acclaimed Australian painter Ben Quilty have joined forces in an Australian-first public exhibition entitled All We Can’t See … Read More
Romancing the Skull
October 1, 2017 | troublemagArt Gallery of Ballarat (VIC) 14 October 2017 – 28 January 2018
IMAGES IN ORDER OF APPEARANCE: Paul Sloan, Still life #5 2014, pigment print on hahnemuhle photo rag © The artist, … Read More
Is Landscape Painting History?
May 1, 2017 | troublemagby Alexandra Sassé
Seeing the world as more than a backdrop or stage-set for unfolding narratives is the basic premise of landscape painting. It requires sensation rather than symbol to be the dominant motive. This is at odds with … Read More
Ben Quilty: Spoils of War
February 2, 2016 | troublemagby Steve Proposch
It is tempting to label Ben Quilty’s latest works in After Afghanistan, at Castlemaine Art Gallery until 15 April 2016, ‘super’ expressionist. The subjects of these portraits are vulnerable, yet powerful. They leave you with no … Read More
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ACTease April 2014
April 2, 2014 | troublemag
by Courtney Symes
What is your favourite children’s book? No matter how hard I try, I can’t choose one. Now that my eldest daughter is nearly two, I have to confess that I’m enjoying rediscovering my old favourite … Read More
ACTease March 2014
March 3, 2014 | troublemag
by Courtney Symes
The things that inspire artists constantly amaze and excite me. It could be a word, a feeling, their home or local environment and surroundings that trigger the greatest creative sparks. The beauty of these humble … Read More
ADEloud February 2014
February 8, 2014 | troublemag
by Cassandra Scalzi
Well, Santa may have come and gone and I didn’t get what I wanted, but the silly season is still rife in Adelaide, with a giant cockroach recently being erected in Rundle Mall. Must the … Read More
ACTease February 2014
February 4, 2014 | troublemag
by Courtney Symes
“I ain’t no saint, but I’ve tried never to do anything that would hurt my family or offend God … I figure all any kid needs is hope and the feeling he or she belongs. … Read More
Conversations with the Black Square
December 16, 2013 | troublemag
Revisiting the art and theory of Kazimir Malevich through the sculpture of Gill Gatfield
by Jennifer Choat
“I HAVE fished myself out of the rubbishy slough of academic art,” Kazimir Malevich announced in 1915. The Russian artist … Read More
AdeLOUD Dec2013 / Jan2014
December 15, 2013 | troublemag
by Cassandra Scalzi
Do you still believe in Santa? I used to. In fact, I used to visit the big man with the long, white beard every year since I turned 21, inform him of my good behaviour … Read More
ACTease December 2013 / January 2014
December 2, 2013 | troublemag
by Courtney Symes
What are the best art exhibitions and shows you’ve seen this year? The last year has been a very special one for Canberra, with 2013 marking the centenary of this extraordinary city. Whilst I’ve enjoyed … Read More
ACTease November 2013
November 1, 2013 | troublemag
Courtney Symes
One of my favourite excursions on a sunny weekend in Canberra is a stroll around Lake Burley Griffin, followed by a wander through the NGA and National Portrait Gallery (and a sneaky coffee stop at one … Read More
ACTease October 2013
October 2, 2013 | troublemag
by Courtney Symes
I’m not a camper, So I can empathise with the shock that Belconnen artists Carolyn Fitzpatrick and Carole Osmotherly would have experienced as they reluctantly left the comfort of their Canberra homes to venture on … Read More
ACTease September 2013
September 3, 2013 | troublemag
by Courtney Symes
September is one of my favourite months in Canberra. The show-stopper event of the month is Floriade (think one million flowers in Canberra’s Commonwealth Park attracting more than 400,000 visitors), which starts on 14 September, then … Read More
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Dressing the Movies Part One by Inga Walton
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