SALON November 2018
Megan COPE, The Blaktism 2014, single-channel HD video, edition 2 of 5, 8:04 minutes. State Art Collection, Art Gallery of Western Australia. Purchased through the TomorrowFund, Art Gallery of Western Australia Foundation, 2015 © the artist, courtesy THIS IS NO FANTASY. Art Gallery of Western Australia, Screen Space – Megan Cope, Perth Cultural Centre (WA) until 25 February 2019 | FREE – artgallery.wa.gov.au
Takehito KOGANEZAWA, Untitled 2018, courtesy of the artist and Loock Galerie, Berlin. The Garden of Forking Paths, Buxton Contemporary, Cnr Dodds St & Southbank Blvd, Southbank (VIC), 7 November 2018 – 17 February 2019 – buxtoncontemporary.com
Benjamin AITKEN, Jack 2018, Subject: Jack Shaw, synthetic polymer paint on canvas, 126 x 150 cm. Black Swan Prize for Portraiture, Tony Fini Foundation Artist Prize Winner, Art Gallery of WA, Perth Cultural Centre (WA), until 26 November 2018 – artgallery.wa.gov.au – blackswanprize.com.au
Hassan SHARIF (Iran/United Arab Emirates c.1951-2016), Cutting and tying no.2 (detail) 2014, cotton rope and wool, 275 x 650 x 50 cm © Estate of Hassan Sharif. Image courtesy: Gallery Isabelle van den Eynde. The 9th Asia Pacific Triennial of Contemporary Art (APT9), QAGOMA, Stanley Place, South Bank, Brisbane (QLD), 24 November 2018 – 28 April 2019 – qagoma.qld.gov.au
Zico ALBAIQUNI (Indonesia b.1987), When it Shook – The Earth stood Still (After Pirous) 2018, oil on canvas, 200 x 120cm Courtesy the artist and Yavuz Gallery. The 9th Asia Pacific Triennial of Contemporary Art (APT9), QAGOMA, Stanley Place, South Bank, Brisbane (QLD), 24 November 2018 – 28 April 2019 – qagoma.qld.gov.au
Amir TEHRANI, Thread 1 2018, Etching on paper, 30 x 42cm. HOME, Walker Street Gallery & Arts Centre, corner of Walker and Robinson streets, Dandenong (VIC), 18 October – 24 November – greaterdandenong.com
Brett WHITELEY, The spray at Bondi 1981, oil on canvas, 179.0 x 154.0 cm. Private collection, Melbourne © Wendy Whiteley. Baldessin/Whiteley: Parallel Visions, NGV Australia, Federation Square, Melbourne (VIC), until 28 January 2019 – ngv.vic.gov.au
Sally SMART, Artist Portrait. Photo by Gregory Lorenzutti. The Violet Ballet, presented as part of the Adelaide Festival, ACE Open, Lion Arts Centre, North Terrace (West End), Kaurna Yarta, Adelaide (SA), 2 March – 27 April 2019 – aceopen.art
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Merran Esson : Standing Still and Silently Balancing
June 7, 2020 | troublemag
The Western Sydney University Sculpture Award & Exhibition has been postponed until 2021 due to COVID-19, but the finalists have been announced. Congratulations to: Mark Booth, Jennifer Cochrane, Chris Edwards, Harrie Fasher, John Fitzmaurice, Jim Flook, Martin George, Akira Kamada, … Read More
Hey COVID-19 Thanks for the Good Times
June 1, 2020 | troublemag
Callum R. Scott
One afternoon you rock up to your hospo job with a hangover, only to find that it’s closed its doors indefinitely and suddenly you’re unemployed again. With fuck all in your savings account, you decide to drown … Read More
Head On Photo Festival
April 7, 2020 | troublemag
1 – 17 May 2020
This year the festival will stage an online version of the event, accompanied by a program of online seminars and events throughout the Festival period. The festival will then work to present a scaled-back physical … Read More
Dear Tree
April 7, 2020 | troublemag
a listening experience created by Rose Turtle Ertler
“Dear tree,
Thank you for being here today for me and for everyone,
casting shade and giving a fresh breath
with deep and bold colours and gentle stillness.”
– by a contributor … Read More
Love in a Time of Coronavirus
April 7, 2020 | troublemag
by Callum R Scott
And just as the zombie apocalypse kicked in, I quit my job. I’ll tell you why later in the piece. So, now I find myself unemployed at 50, in the middle of a pandemic. This is … Read More
Synthetica : art, technology & us
February 12, 2020 | troublemag
Dr Cameron Rose
Art and technology are by definition divorced from nature. Art is the product of human creativity and technique; it is an object, image, sound or movement that exists as a unique manifestation of our imagination. Technology comes … Read More
CAN’T DO TOMORROW
February 11, 2020 | troublemag
Australia’s largest showcase of urban & street art
20 – 29 February 2020
This inaugural festival will see over 100 street artists and musicians take over Melbourne’s iconic multi-level warehouse, The Facility, transforming it from top to bottom with paintings, … Read More
The Road to Darwin
December 14, 2019 | troublemag
Chapter 4 – The Alice
Rolled into Alice Springs, literally: a strong head wind burnt up all the petrol. As the sun set in the west (I presume it was the west because that’s where the sun sets where I … Read More
Terminus : Jess Johnson & Simon Ward
December 8, 2019 | troublemag
Heide Museum of Modern Art presents
a mysterious universe of alien architecture populated by humanoid clones and cryptic symbols, explored via a network of travellators and gateways.
2 November 2019 – 1 March 2020
IMAGE CREDITS: … Read More
Arthur Boyd : Landscape of the Soul
December 6, 2019 | troublemag
by Alexandra Sasse
Have you had any lessons? The enquiry came from a woman and her friend who had been loitering behind me as I painted en plein air in a local park. It seemed a particularly stupid question, especially … Read More
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Dressing the Movies Part One by Inga Walton
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